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Home My WebLink AboutAgenda Packet - LB - 2021.11.16CITY v 0 ticow � � rPORATED Tuesday, November 16, 2021 City of Burlingame Meeting Agenda - Final Library Board of Trustees 5:30 PM BURLINGAME CITY HALL 501 PRIMROSE ROAD BURLINGAME, CA 94010 On September 16, 2021, Governor Newsom signed into law AB 361 which allows a local agency to meet remotely when: 1. The local agency holds a meeting during a declared state of emergency 2. State or local health officials have imposed or recommended measures to promote social distancing 3. Legislative bodies declare the need to meet remotely due to present imminent risks to the health or safety of attendees On September 20, 2021, the City Council adopted Resolution Number 116-2021 stating that the City Council and Commissions will continue to meet remotely for at least thirty days for the following reasons: 1. There is still a declared state of emergency 2. County Health Orders require that all individuals in public spaces maintain social distancing and wear masks 3. The City can't maintain social distancing requirements for the public, staff, Councilmembers, and Commissioners in their meeting spaces Members of the public may view the meeting by logging into the Zoom Webinar listed below. Members of the public may provide written comments by email to publiccomment@burlingame.org. Emailed comments should include the specific agenda item on which you are commenting. Note that your comment concerns an item that is not on the agenda nor on the Consent Calendar. The length of the emailed comment should be commensurate with the three minutes customarily allowed for verbal comments, which is approximately 250-300 words. To ensure that your comment is received and read to the Library Board of Trustees for the appropriate agenda item, please submit your email no later than 5:00 p.m. on November 16th, 2021. The City will make every effort to read emails received after that time, but cannot guarantee such emails will be read into the record. Any emails received after the 5:00 p.m. deadline which are not read into the record, will be provided to the Library of Trustees after the meeting. Online City of Burlingame Page 1 Printed on 1111012021 Library Board of Trustees Meeting Agenda - Final November 16, 2021 1. CALL TO ORDER To access the meeting by computer: Go to www.zoom.us/join Meeting ID: 822 5282 5178 Passcode:239294 To access the meeting by phone: Dial 1-669-900-6833 Meeting ID: 822 5282 5178 Passcode:239294 2. ROLL CALL 3. PUBLIC COMMENT Members of the public may speak about any item not on the agenda. Members of the public may suggest an item for a future Library Board of Trustees' agenda during the public comment period. The Ralph M. Brown Act (the State local agency open meeting law) prohibits Trustees from acting on any matter that is not on the agenda. 4. APPROVAL OF MINUTES a. Approval of Library Board of Trustee Minutes for the October 19, 2021 Meeting Attachments: Meeting Minutes 5. CORRESPONDENCE AND INFORMATION a. October Statistics Attachments: Adult Services Childrens and Teens 6. REPORTS a. City Librarian's Report Attachments: Summary b. Foundation Report C. State Report - Library Infographic Attachments: Infographic 2020-21 City of Burlingame Page 2 Printed on 1111012021 Library Board of Trustees Meeting Agenda - Final November 16, 2021 7. OLD BUSINESS a. Staff Appreciation Event b. Employee Assistance Program 8. NEW BUSINESS a. Public Art Attachments: Art in Public Places - Procedures Robert Barry Gift Robert Barry Available Words Word Art Potential Library Location Barbara Berk - Sculpture 9. ANNOUNCEMENTS 10. ADJOURNMENT Any writings or documents provided to a majority of the Library Board of Trustees will be made available for public inspection at the City of Burlingame's website: www.burlingame.org. City of Burlingame Page 3 Printed on 1111012021 Burlingame Library Board of Trustees October 19, 2021 Minutes I. Roll Call Trustees Present: Kris Cannon, Danielle Garcia, Mike Nagler, Elisabeth Ostrow Staff Present: Brad McCulley, City Librarian Tommy McMahon, Adult Services Manager Sidney Poland, Recorder II. Library Board of Trustees Minutes The Trustees unanimously approved the minutes of the September 21, 2021 Trustee Meeting. M/S/C (Nagle/Ostrow) III. Correspondence and Information At Brad's request, the Trustees agreed to move directly to the Adult Services report and than use the remainder meeting time for the discussion of SVCF Funds Around Use Limitations. IV. Report - Adult Services - Tommy McMahon The Trustees requested further information on the following subjects. A. Information Desk - Two staff members, one from Reference and one from Circulation, work the desk together. Staff has been cross -trained to assist patrons in both Circulation and Reference issues. B. Collection Budget - No major change in the collection budget but there was a natural reduction in spending because Baker and Taylor closed during the early days of COVID and books were not available. Tommy reallocated a portion of the book budget to the library's Overdrive Advantage and purchased additional copies of the most popular items which are only available to Burlingame residents. C. Data Bases - Tommy represents the library on the PLS Info Services Committee where negotiations take place for sharing the databases and other resources. Brad and Tommy support being part of the PLS consortium. The advantages are that the cost is shared and patrons from all PLS libraries have access to most of the current databases. V. From The Floor No one from the public attended. VI. SVCF Funds Around Use Limitations Brad requested that the Trustees provide him with guidelines as to library projects or library needs that he could ask the Trustees to fund. • Brad noted that Foundation members had also inquired as to what specific projects the Trustees fund. The Foundation funds library programs, events, technology and furnishings. E-books were formerly funded by the Foundation but e-books have now been included in the City budget for the library. Burlingame's share of the PLS budget for e-books is $45,000. • The Trustees fund capital improvement projects through the Duncan Trust which is managed by the SVCF. Other financial requests are funded through the Library Trustees Account. Staff Development is an area that the Trustees expressed interest in financially supporting. • In conclusion, the Trustees felt that it was not necessary to provide guidelines for funding requests from Brad. The Trustees agreed that in the past his requests had been well founded and benefited both the library and the staff. • The Trustees mentioned the possibility that it might help future librarians if Brad documented his thought process for determining funding requests (e.g. examples of requests that were funded, those that were not and why the Trustees did not agree to fund the request). VII. Announcement Elaine Tai, who joined the Adult Services Department in October of 2016, has accepted a position as a Supervising Librarian with the City of Berkeley. Elaine's last day will be November 4th. VIII. Adjournment The meeting was adjourned at 7:OOPM M/S/C (Nagler/Ostrow). The next Zoom meeting of the Library Board of Trustees will be November 16, 2021 at 5:30PM. Respectfully Submitted Brad McCulley City Librarian Burlingame Public Library E Adult Services Stats October 2021 Program Date # Programs Attendance Sit N Stitch Tuesdays 4 8 English Learners Group Wednesdays & Thursdays 7 31 Sterling Court Book Talk/Outreach 10/20 1 14 Booked on Crime book club 10/21 1 5 Total 13 58 Kanopv Month Plays Cost per play Kanopy Kids and K Series (Great Books) Monthly Invoice $5/month for unlimited plays October 293 $2 2 KIDS and $651 2021 11 Great Courses 306 total plays Pronunciator(Language Learning) New registrations Sessions Top 3 languages 4 9 Spanish (Spain), Hebrew, Spanish (Mexican) Children's and Teen Monthly Statistics Oct-21 Children's Desk Reference Questions 685 Easton Branch Reference Questions 95 Programs Attendance Cost STORYTIMES Live Storytime with Miss Jenny Virtual 4 73 Miss Jenny Storytime IGTV views 4 298 Miss Jenny Storytime YouTube views 4 13 Miss Jennifer Live Zoom Storytimes 4 73 Miss Kelly Storytime IGTV views 2 81 Miss Kelly Storytime YouTube views 4 50 TOTAL STORYTIMES 22 588 CLASS VISITS Preschool Class Visits at Schools Preschool Class Visits at Library Virtual Elementary School Class Visits on Zoom 2 50 Elementary School Class Visits at Library Middle School Class Visits at Schools Middle School Class Visits at Library TOTAL CLASS VISITS 2 50 SPECIAL PROGRAMS FOR CHILDREN Booktober Spooky Bingo 1 173 Pumpkin Painting 1 350 Food & Fiction 1 4 Baby Sign Language 1 33 BPL Music Party 1 33 Tween Face Painting 1 10 Trick of Treat for a Book -- Main 1 190 Trick or Treat for a Book -- Easton 1 40 Homework Center 11 44 Halloween Storytime Live City Hall 1 43 TOTAL SPECIAL PROGRAMS FOR CHILDREN 20 920 $0 SPECIAL PROGRAMS FOR TEENS Homework Center (teens) 11 59 Teen Advisory Board 1 12 First Look Book Group 1 7 Teen Sugar Skull Painting 1 10 Teen Trick or Treat at BHS 1 54 Trick or Treat for a Book - Main 1 37 Trick or Treat for a Book - Easton 1 4 October Teen Scavenger Hunt in Teen Room 1 28 Teen Practice SAT 1 6 TOTAL SPECIAL PROGRAMS FOR TEENS 19 217 $0 TOTAL CHILDREN'S & TEEN PROGRAMS 63 $0 City Librarian Report to Board of Trustees November 16, 2021 BURL i NGAMI Personnel Updates: o Staff: Elaine Tai's last day was Thurs Nov 4t". Adult Services will be recruiting (internally) for a 40-hour benefited Librarian position. Once this this position has been filled there will be an open recruitment for a 30-hour parttime benefited Librarian position. o Part-time Budget: N/A General Updates: o Covid/CPU Update — • The County has issued three criteria that must be met before rescinding mandatory mask use inside: ■ The jurisdiction reaches the moderate (yellow) COVID-19 transmission tier, as defined by the Centers for Disease Control & Prevention (CDC), and remains there for at least three weeks; AND ■ COVID-19 hospitalizations in the jurisdiction are low and stable, in the judgment of the health officer; AND 80% of the jurisdiction's total population is fully vaccinated with two doses of Pfizer or Moderna or one dose of Johnson & Johnson (booster doses not considered); or Eight weeks have passed since a COVID-19 vaccine has been authorized for emergency use by federal and state authorities for 5- to 11-year- olds. https://www.smchealth.org/data-dashboard/criteria-lifting-indoor-mask- mandate o Committees — • Equity Team/UAH - The UAH committee has three programs planned for UAH week: ■ Antibias Storytime Saturday, November 20 at 10:30 AM In front of City Hall (weather permitting). Featuring Natalie Delahunt, Equity Coach for Redwood City School District Registration Required: https:Hburlingame.libcal.com/event/8447274 Teen Art & Poetry Slam Saturday, November 20 at 4:30 PM Burlingame Public Library (front porch) Students in Grades 6-12 are invited to participate -- submissions are due by Saturday, November 13. Register here to attend as an audience member: httos://burlinaame.libcal.com/event/8421394 ■ The Art of Calling In: Dismantling Racism Not Relationships Monday, November 15 at 6:00 PM --Registration Required https:Hburlingame.libcal.com/event/8433840 o Policy— N/A o Significant Events — • Pumpkin Painting drew safe crowds of over 300 kids and parents spread over a 3 to 4 hour period Oct 30 o Facilities update — • The building experienced many leaks from the last weather event Oct 24t". Some were due to internal leaks that will need to be traced and some to obvious ways related to failed caulking or over full gutters. Facilities Div is working on a long-term plan. o PLS/PLP (Peninsula Library System / Pacific Library Partnership) • N/A ADMINISTRATIVE PROCEDURES CITY OF BURLINGAME July 23, 2007 SUBJECT: Art in Public Places CATEGORY: Administration PAGE: 2.18 I PURPOSE Since public art is a cultural reflection of a community and its people, it is important that procedures be in place for the acquisition and acceptance of art in the city of Burlingame. The purpose of this policy is to serve as a guide when considering aspects of public art, such as: A Selection and acceptance of donated or loaned artwork, B Placement or site selection, C Funding projected maintenance, and D De -accessioning or removal of artwork Changes to this Public Art Policy shall be directed, by Council, for review to a task force comprised of two (2) Beautification Commissioners, two (2) Library Board members and two (2) Parks & Recreation Commissioners. II DEFINITIONS Art as described in this policy is art intended to enrich the public environment for both residents and visitors. Art shall include, but not be limited to, sculptures, murals, paintings, graphic arts, mosaics, photography, crafts, mixed media, and environmental works. It shall include all artwork that is to be displayed for an extended period of time in a City- owned or leased facility or park, or a City- owned or leased open space. In this policy, Appropriate Commission refers to the City Commission whose sphere of influence is most closely associated with the facility or site in question. For example, the Parks & Recreation Commission will review applications for placement at park facilities or recreational buildings; the Library Board will review applications for placement at Library property; and the Beautification Commission will review applications for other City property. III SELECTION / ACCEPTANCE PROCESS When reviewing works of art for loan or gift to the collection, the Council, appropriate commission, and responsible department(s) shall consider whether: A The artwork 1. is thought -provoking, memorable or enduring and shall reflect the diverse social, cultural, or historic values of the City Administrative Procedures 2.18 1 July 23, 2007 2. is appropriate in terms of scale, form, content, and the environment 3. is durable relative to theft, vandalism and the environment Administrative Procedures 2.18 2 July 23, 2007 4. acknowledges and is sensitive to the importance of the contributions by local and regional artists to the City of Burlingame's art program 5. can be displayed on City property under the Federal and State Constitutions 6. meets the City of Burlingame's general library collection standards for appropriateness, and no depiction of specified sexual activities as defined in Chapter 10.58 of the Burlingame Municipal Code nor any advocacy of racism nor depiction of graphic violence shall be allowed. B The City already owns sufficient examples or better examples of this type of object or the objects by a particular artist in a particular style C The City has the facilities and resources necessary to properly care for and safe keep the object. The City has limited facilities and must consider the cost of processing, insuring, and maintaining the new artwork. D Whether the artist or donor is prepared to execute a contract or other document which, in the estimation of the City Attorney and City Manager, protects and serves the fiscal and other interests of the City in connection with the acquisition or donation of the artwork proposed for display in a public area. IV SITE SELECTION When selecting sites for works of art for loan or gift to the collection, the Council, the appropriate commission, and responsible department(s) shall consider: A Whether the artwork can be properly installed, placed to be seen, and displayed with patron safety in mind B Compatibility of design and location within unified design character or historical character of site, preservation and integration of natural features of the project C Site design including landscaping, drainage, grading, lighting and seating considerations D Environmental impacts such as noise, sound and light E Public accessibility to the artwork, particularly handicapped areas F Impact on adjacent property owner's views G Impact on operational functions of the City After consideration of the above, final selection of site location is the decision of the City Council. V FORM OF RECOMMENDATION TO COUNCIL Applications to donate artwork to the City will be made to the City Manager's office and will be routed to the Appropriate Commission. The Appropriate Commission will consider the staff s recommendation or comments, the criteria above, including written documentation, and, after a 30- day review period, will conduct a public hearing before making a recommendation to the City Council. The notice of the proposed public art will be published in the local newspaper at least fifteen (15) days before the end of the review period and will be delivered to property owners who live within 300' and are in view of the artwork. The documentation of the proposed public art will be available for review at the City Clerk's office during this period. Administrative Procedures 2.18 3 July 23, 2007 Three members of the City Council must vote affirmatively in order to approve the decision. The City Manager will notify donors of the City Council's decision. The notification, if the donation is approved, will include a description of the location where the art will be placed. The donation offer may be withdrawn at any time up until execution of an agreement between the City and the donor(s). VI MAINTENANCE OF ART IN PUBLIC PLACES: The City Clerk shall maintain detailed records of all artworks acquired. The records shall include all items outlined in the application attached to this policy. The work of art will be maintained with the same care as the City does in keeping and maintaining other similar City property. Upon receipt of the work of art pursuant to this policy, the City will be responsible for insuring the work of art as it determines appropriate in its sole discretion; however, nothing in this policy shall imply that the City has any obligation to purchase or obtain any insurance regarding the work of art of any kind. Staff will take into account the donor's or artist's recommendations for the appropriate method and frequency of maintenance for each work of art. It shall be the responsibility of the City to: A Provide for the regular inspection of public artworks B Ensure that all maintenance of public artworks is completed with the highest standards of professional conservation C Report on the location and condition of each artwork to the City Council each year in time for budget preparation, including recommendations for the restoration, repair, or maintenance of artworks, and estimated costs In the event repair, alteration, or refinishing of the artwork is required, the City shall first give the artist the opportunity to do the work for a reasonable fee if possible. However, it is recognized that the insurer of the artwork may require the repair, alteration, or refinishing to be done by the insurer's contractors. In the event the artist is unable or refuses to do the work for such a fee, the City may proceed to contract for the work with another qualified artist. VII REMOVING (DEACCESSIONING) ARTWORK Artwork may be removed from the City of Burlingame's art collection following review by the Appropriate Commission if: A The artwork's physical or structural condition poses a threat to public safety. B The artwork requires excessive maintenance, has faulty design or workmanship, and repair or remedy is impractical or unfeasible. C The artwork has been damaged and repair or remedy is impractical or unfeasible. D The condition or security of the artwork cannot be reasonably guaranteed. E Significant changes in the use, character or design of the site have occurred which affects the integrity of the artwork. Administrative Procedures 2.18 4 July 23, 2007 F Significant, adverse public reaction has continued unabated over an extended period of time G Removal is requested by the artist or donor. Removal should be a seldom -employed action that operates with a strong presumption against removing works from the collection. Removal will be undertaken only in extreme circumstances, and primarily when the condition of the artwork makes conservation impossible for technical or financial reason. Removal Procedures Prior to removing artwork, the Appropriate Commission shall prepare a written report for each object it recommends to be removed. The report shall include: A Title, artist medium, dimensions, and present location of the artwork B The origin/source of the artwork C Slide(s) and/or photograph(s) of the artwork D Report on the condition of the artwork E Estimated value of the artwork F Justification for disposal of the artwork G Recommendation for method of disposal of the artwork A copy of this report shall be distributed to each member of the Appropriate Commission for review at least one month prior to the meeting at which the removal of the work will be considered. Each member of the Appropriate Commission shall physically inspect the work and the Commission shall conduct a public hearing before voting on whether or not to remove the artwork. Prior to the Commission meeting, staff shall make a reasonable effort to locate the donor or his/her heirs to advise them of the City's consideration to remove the artwork and reasons for the decision. A report of the decision to remove the artwork will be given to the City Council. The decision of the Appropriate Commission will be deemed final, unless called up by a member of the City Council for Council approval. Disposition of artwork shall be handled in accordance with the requirements of Civil Code sections 987 and following and City procedures for disposition of surplus property. VIII ON -LOAN POLICIES The City Council may wish to accept donated artwork to the City for display on a temporary basis. Policies in addition to those listed in this document should be developed prior to the acceptance of artwork on a temporary basis. IX FUNDING FOR ART IN PUBLIC PLACES The City of Burlingame shall establish a special reserve account designated as the Art in Public Places Fund. This reserve account shall be credited annually, with funds allocated by the City through the budgetary process and monies received through donations or grants or otherwise obtained. The fund is to be maintained and administered by the City's Finance Director. Administrative Procedures 2.18 5 July 23, 2007 This account shall be used for the maintenance of public art. Expenditures of funds may include, but are not limited to, the following uses: costs associated with the transportation, installation, insurance, maintenance, repair, or restoration of artwork, and any costs to administer the art in Public Places program or purchase objects necessary for the proper presentation of the artwork. If individuals, entities, or groups donate undesignated funds to the Art in Public Places Program, the funds shall be deposited into the Art in Public Places Fund. The City Manager shall direct an Appropriate Commission to designate the funds for either the maintenance or purchase of artwork. X PUBLIC ART PROPOSAL Any person wishing to donate artwork to the City of Burlingame must complete a Donation of Public Art Application, available in the City Manager's office. The application and accompanying materials shall include the following: A Photo, plans, model or other representation of proposed artwork B Proposed location of the artwork C Statement of reason for donation D Description of the artwork, including dimensions, weight, finish, and color, and system for mounting or displaying the artwork E Any special maintenance, mounting or display requirements F Artist biography G Statement of the approximate value of the proposed donation H Signage proposed for the artwork, including size, lettering and material (Note: signage shall be limited to the artist's name, title, and date of work, and where appropriate, a dedication. The name of the donor or lender may be part of the installation) James Nantell City Manager Administrative Procedures 2.18 6 July 23, 2007 City of Burlingame's BUPLfNGA, E r x Donation of Public Art Application (Please complete this application as fully as possible Project Name Proposed Location/Address Proposed by Phone Address Reason for donation Artist Name City Phone Address City _ Description of Artwork (Include finish and color) Email Email Date: Approximate Weight Approximate Dimensions System for Mounting of Displaying Artwork Maintenance, Mounting or Display Requirements Zip Zip Approximate Value: $ Approximate Annual Maintenance Costs: $ Please attach • Photo, plans, model or other representation of proposed artwork • Artist biography • Signage proposed for the artwork, including size, lettering and material Administrative Procedures 2.18 7 July 23, 2007 OVERVIEW Lance Fung & John Talley, art patrons from Woodside, CA have offered to donate an important public artwork by Art World icon, Robert Barry. Fung & Talley are the owners of Fung Collaboratives & FC Projects. Both organizations advise, manage, realize and consult global clients with their public art needs. In fact, they are coordinating the Anson Burlingame public art tribute for the City of Burlingame and fell in love with the city and staff. As avid travelers for both work & pleasure, it was during a flight from SFO, they saw the perfect site to install Barry's glorious text base work realizing the global visitors coming through SFO would be delighted to see an artwork from the plane. This has never been done before and so when a relationship was made with the city, the conversation of the gift began. The artwork has significant historical value and Fung & Talley have been looking for the right situation to gift the artwork to. They look forward to working with the city to add a timeless artwork of beauty, thought provocation, and humor for all residents, workers and travelers to experience. One important aspect about the artwork is that it can be seen during the day by foot, car or plane and when the sun sets, the artwork emanates color and simply good vibes. It will truly offer an ever changing sense of discovery to the viewers, as the artwork interacts with the changing of day into night and the four seasons. ARTWORK HISTORY Lance was invited to curate a multi -year / multi -million dollar changing public art exhibition series in Atlantic City (201 2-2015). In the first year, "Conceptual Art founding father" artist Robert Barry was invited to create his largest outdoor public artwork to date. His 27 word installation encircled a newly designed 7.5 acre park by Fung Collaboratives. The words rested on a manmade grassy berm at varied and skewed angels. In this case, visitors were allowed to interact with the artwork which quickly became a hit in town and with the press. Children and adults alike walked around the space multiple times to find a hidden meaning in the ambiguous words. Many selfie pics were taken and all sorts of innocent word play followed. http://www.fungcolIaboratives.orci/projects/past/artlantic/artists/robert-Barry-2/description/ .1ft _5ft RAN Fo0. Pr-KENEUT or t 1 Oft A.RA (ZaTxo�t hall I cn5nl-1v TA,'$ '/Y of A-r -�— - % a J j A. I/ This successful work was on view 24/7 for the four year period and could be seen from within the park as well as from bird's eye views of adjacent hotels and office buildings. The words were even spotted by private planes that flew by. Qp�a _ '1% The artwork has received much acclaim but due to the sheer size of the overall installation it had to be broken up into several installations. Five works were sold and installed at 1440 Multiversity located in Scotts Valley, CA. Fung began their public art collection which continues to delight their yoga and meditation followers. Eight works were also installed at the Fung +Talley's residence in Woodside The words below are available. The artist will probably not want to duplicate the color red. ROBERT BARRY'S STATEMENT This installation brings together light, space, and time. I like to take into consideration the situation of the words and their place, mood, weather, and the fact that people have to walk around to see the whole thing and physically partake in it. It becomes part of the environment, and hopefully people will be able to interact in an individual and personal way. My work is not isolated within galleries and museums but functions as part of an overall situation, with these ideas extending out into the world. PROCESS John Talley will work with the designated city staff person to oversee the transition from its current storage area to Burlingame. The work can be placed in storage or be installed directly. It can be illuminated now or in the future. Solar options and costs are being explored. The city will provide transportation of the individual words which requires a person on each end to lift the word. The simple installation may be done with city staff or recommended art installer, Steve Dellicarpini ( ellicarpini(CDamail.com). The value for each word is $ 50,000. Fung Collaboratives will work with artist Robert Barry to determine word placement on the city provided site. ROBERT BARRY BIOGRAPHY, CV, SELECTED PRESS Robert Barry (b. 1936, Bronx, New York, USA) • Barry was born and grew up in The Bronx. A graduate of Hunter College, he studied there under artists William Baziotes and Robert Motherwell, later joining the college's faculty. • Barry's work focuses on escaping the previously known physical limits of the art object in order to express the unknown or unperceived. Consequently, Barry has explored a number of different avenues toward defining the usually unseen space around objects, rather than producing the objects themselves. • In 1974, Barry moved to Teaneck, NJ. He gave up painting, and began making art using invisible media, including electromagnetic energy, ultrasonic radiation, and inert gases. He describes his art as affecting other things as much as it is affected by those things. He also began incorporating text into his artworks, aiming to make the viewer a part of his pieces. • Major nonvisible works from his early period include Carrier Wave, in which Barry used the carrier waves of a radio station for a prescribed length of time "not as a means of transmitting information, but rather as an object," Radiation Piece, and Inert Gas Piece, in which Barry opened various containers of inert gases in different settings before groups of spectators, such as a canister of helium released in a desert. • Barry is included in the permanent collections of renowned museums including the Museum of ModernArt, New York; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Solomon R. Guggenheim Museum, New York; the Mus6e d'Orsay, Paris; the Whitney Museum of American Art, New York; the Mus6e National D'Art Moderne, Centre Georges Pompidou, Paris; the Museum of Contemporary Art (MOCA), Los Angeles and the National Gallery of Art, Washington, D..C. CV Selected Exhibitions 2019 Robert Barry Ivan Koiaric, Sfeir-Semler Gallery,Hamburg, Germany 2015 Gallery 3010, Sfeir-Semler Gallery, Beirut, Lebanon Robert Barry. All the things I know...7962 to the present, 205 Hudson Street Gallery, New York, USA 2014 Robert Barry, Sfeir-Semler Gallery, Hamburg, Germany 2013 Galerie Greta Meert, Brussels, Belgium Le Consortium, Dijon, France 2012 Different Times, Different Works, Galleria Massimo, Minini, Brescia, Italy 2011 Silver Galerie Bugdahn and Kaimer, Dusseldorf, Germany Troublesome, Galleria Alfonso Artiaco, Neapel, Italy Robert Barry: Recent Mirrorpieces, Sperone Westwater, New York, USA 2010 Robert Barry. Recent Works, Sfeir-Semler Gallery, Hamburg, Germany Words and Music, The Common Guild, Glasgow, Scotland 2009 RB 62-08, Yvon Lambert, New York, USA Word Lists, Yvon Lambert, Paris, France Galerie Greta Meert, Brussels, Belgium 2008 Robert Barry, Ritter/Zamet Gallery, London, UK It is, It isn't live performance, Jan Mot, Brussels, Belgium Works on Paper from the '70's, Galerie Bugdahn and Kaimer, Dusseldorf, Germany 2007 Klemens Gasser & Tanja Grunert, Inc., New York, USA Galerie Greta Meert, Brussels, Belgium Showcase Alfred Vandaele, Gent, Belgium Galerie Alfonso Artiaco, Naples, Italy 2006 Hadith: Conversations, Sfeir-Semler Gallery, Beirut, Lebanon Galerie Bugdahn and Kaimer, Dusseldorf, Germany 2005 Galerie Klemens Gasser & Tanja Grunert, Inc. 524 West 1 9th Street New York, USA Yvon Lambert, Paris, France Rainbow: A painting showSfeir-Semler Gallery, Beirut, Lebanon 2004 Galerie Meert-Rihoux , Brussels, Belgium A Minimal Future? 7 958- 7 968 , MOCA, Los Angeles, USA Galerie Sfeir-Semler, Hamburg, Germany Aargauer Kunsthaus. Aarau, Switzerland 2003 Kunsthalle Nurnberg, Nurnberg, Germany Klemens Gasser & Tanja Grunert , New York, USA 2002 Galerie Yvon Lambert, Paris, France Galerie Bugdahn and Kaimer, Dusseldorf, Germany 2001 McKinsey & Company , Dusseldorf, Germany Klemens Gasser & Tanja Grunert Gallery, New York, USA Lehnbach Haus, Munich, Germany Sfeir-Semler Gallery, Hamburg, Germany 1999 Holly Solomon Gallery, New York, USA 1998 Galerie Yvon Lambert, Paris, France Galerie Sfeir-Semler, Hamburg, Germany The Box, Turino, Italy 1997 Indianapolis Museum of Art, Indianapolis, USA Galerie Meert-Rihoux, Brussels, Belgium 1995 Galerie Steinek, Vienna, Austria Galerie Meert-Rihoux, Brussels Galerie Klemens Gasser, Cologne, Germany Galerie Bugdahn and Kaimer, Dusseldorf, Germany 1994 Robert Barry and Haim Steinbach, Galerie Yvon Lambert, Paris, France Holly Solomon Gallery, New York, USA Art and Public, Geneva, Switzerland 1992 Galerie Klemens Gasser, Bolzano, Italy Galerie Bugdahn and Kaimer, Dusseldorf, Germany Art and Projekt, van Krimpen, Rotterdam, The Netherlands 1991 Galerie 57, Madrid, Spain Galerie Pierre Huber, Geneva, Austria Galerie WaBermann, Cologne, Germany Galleria Ugo Ferranti, Rome, Italy 1990 Centre National de Art Contemporain, Grenoble, France Musee Saint Piere, Art Contemporain, Lyon, France Rene Bransten Gallery, San Francisco, USA Haags Gementemuseum, Den Haag, The Netherlands Holly Solomon Gallery, New York, USA Galerie Meert-Rihoux, Brussels, Belgium 1989 Holly Solomon Gallery, New York, USA Leo Castelli Gallery, New York, USA Thomas Solomon's Garage, Los Angeles, USA 1988 Galerie Meert-Rihoux, Brussels, Belgium Galerie Paul Maenz, Cologne, Germany Galerie Yvon Lambert, Paris, France 1987 Galerie Paul Maenz, Cologne, Germany Galleria Primo Piano, Rome, Italy Julian Preto Gallery, New York, USA 1984 Robert Barry: Wall Pieces, Galerie Yvon Lambert, Paris, France Robert Barry and Peter Downsbrough, Le Consortium, Dijon, France 1983 Leo Castelli Gallery, New York, USA Art and Projekt, Amsterdam, The Netherlands Galleria Francoise Lambert, Milano, Italy 1982 Museum Folkwang, Essen, Germany 1981 Galerie Yvon Lambert, Paris, France Art and Projekt, Amsterdam, The Netherlands All the time, Leo Castelli Gallery, New York, USA 1980 Robert Barry Colour Drawings, Galerie Paul Maenz, Cologne, Germany Wallpiece, Leo Castelli Gallery, New York, USA 1979 Robert Barry: New Drawings, Galleria Francoise Lambert, Milano, Italy Again and Again, Leo Castelli Gallery, New York, USA Galerie Rolf Preisig, Basel, Switzerland Galerie Paul Maenz, Cologne, Germany 1978 A Wall Drawing, Leo Castelli Gallery, New York, USA Museum Folkwang, Essen, Germany Museum of Conceptual Art, San Francisco, USA Galerie MTL Brussels, Belgium Robert Barry, 7 968 - 7 978 Drawings and Publikations, Museum Boulder, Colorado, USA 1977 Galerie Yvon Lambert, Paris, France Almost Galerie Paul Maenz, Cologne, Germany Museum Folkwang, Essen, Germany Unless Galerie ROcliger Schottle, Munich, Germany 1976 Leo Castelli Gallery, New York, USA Galerie Paul Maenz, Cologne, Germany Galleria Gian Enzo Sperone, Rome, Italy 1975 Gian Enzo Sperone Gallery, New York, USA Galerie Paul Maenz, Cologne, Germany Barbara Cusack Gallery, Houston / Texas, USA 1974 Galerie Yvon Lambert, Paris, France Leo Castelli Gallery, New York, USA Jack Wendler Gallery, London, UK Galerie Paul Maenz, Cologne, Germany Galerie MTL, Brussels, Belgium Art and Projekt, Amsterdam, The Netherlands Kunstmuseum Luzern, Switzerland Galerie Rolf Preisig, Basel, Switzerland Galleria Sperone, Turino, Italy Stedelijk Museum, Amsterdam, The Netherlands Rhode Island School of Design, Providence, Rhode Island, USA 1973 Galerie Yvon Lambert, Paris, France Galleria Sperone, Turino, Italy Galleria Toselli, Milano, Italy Galerie Paul Maenz, Cologne, Germany Galleria Gian Enzo Sperone & Konrad Fischer, Rome, Italy Jack Wendler Gallery, London, UK Kabinett fur Aktuelle Kunst, Bremerhaven, Germany 1972 Leo Castelli Gallery, New York, USA Jack Wendler Gallery, London, UK Galerie MTL, Brussels, Belgium GalleriaToselli, Milano, Italy Art and Projekt, Amsterdam, The Netherlands Galerie Paul Maenz, Cologne, Germany Tate Gallery, London, UK 1971 Art and Projekt, Amsterdam, The Netherlands Galerie Yvon Lambert, Paris, France Galerie Paul Maenz, Cologne, Germany Leo Castelli Gallery, New York, USA Eugenia Butler Gallery, Los Angeles, USA 1969 Seth Siegelaub, Los Angeles, USA Art and Projekt, Amsterdam, The Netherlands Galleria Sperone, Torino, Italy 1964 Westerly Gallery, New York, USA ARTLANTIC PRESS LINKS: Whitewall Profile Sculpture Magazine Feature New York Times: Hurricane Spares Seaside Art. Ted Loos. November 4. 2012. New York Times: Pull Up a Chair. Sandy. Elaine Louie. August 8.2013. The Philadephia Inquirer: Galleries: 'Artlantic' brings welcome pieces to empty spaces. Edith Newhall. November 18, 2012. The Star -Ledger: Artlantic City: Taking a gamble on a public exhibition instead of casinos. Dan Bischoff. November 11, 2012. Art in America "Artlantic Lands in Atlantic City" by Leigh Anne Miller published August 2.2013 ARTnews: Boardwalk Empire. Meredith Mendelsohn. September 2013 Installation Magazine: On the Boardwalk. A. Moret. July 26, 2013 Dujour Magazine: All Eyes on Atlantic City. March 2013. Travel&Leisure: Atlantic City: The World's (New) Favorite... Arts Destination? Marguerite A. Suozzi. November 20, 2012. USA Today: Atlantic City turns to public art to spiff up its image. Kitty Yancey. November 16. 2012. International Herald Tribune: Hurricane Spares an Inspiration. Ted Loos. November 6, 2012. YomiTime: (Japanese Only). Manami Fujimori. December 21, 2012. Dex Magazin: Das "Wunder" von Atlantic City. Susanne Mendack. Summer 2013. Hyperallergic: A New Home for Art in Atlantic City. Lillian Steinhauer. December 11, 2012. Cool Hunting: "ARTLANTIC: Atlantic City s Public Art Spaces" by David Graver published on July 29, 2013. Inhabitat: ARTLANTIC Transforms Disused Atlantic City Lots Into Public Art and Green Space. Lori Zimmer. May 22. 2013. EL PAIS: Arte publico junto a las tragaperras en Atlantic City. Mario Suarez. September 23, 2013. Artishock: Artlantic: Un programa de arte publico que reinventa Atlantic City. Maria G. Picatoste. September 16, 2013. NEWSPAPER Philadelphia Inquirer: Boardwalk art rides new wave. Chuck Darrow. August 23, 2013 New York Times: Pull Up a Chair, Sandy. Elaine Louie. August 8, 2013. New York Post: Atlantic Adventure. Michael Kaplan. April 19, 2013. YomiTime: (Japanese Only). Manami Fujimori. December 21, 2012. The Philadephia Inquirer: Galleries: 'Artlantic' brings welcome pieces to empty spaces. Edith Newhall. November 18, 2012. USA Today: Atlantic City turns to public art to spiff up its image. Kitty Yancey. November 16. 2012. The New York Times Travel: Atlantic City: Open for Business After the Storm Seth Kugel. November 13, 2012. The Star -Ledger: Artlantic City: Taking a gamble on a public exhibition instead of casinos. Dan Bischoff. November 11, 2012. New York Times: Hurricane Spares Seaside Art. Ted Loos. November 4. 2012. International Herald Tribune: Hurricane Spares an Inspiration. Ted Loos. November 6.2012. MAGAZINE Complex: "Artlantic" Transforms the Site of a Demolished Casino in Atlantic City Into a Space for Public Art. Leigh Silver. September 26, 2013. ARTnews: Boardwalk Empire. Meredith Mendelsohn. September 2013 New Jersey Life Style: Artistic Transformations. Pamela Dollak. Summer 2013. ASPIRE NJ: ARTLANTIC: Celebrating contemporary art and showcasing Atlantic City's natural beauty. Emma Friedreich. Summer 2013. Dex Magazin: Das "Wunder" von Atlantic City. Susanne Mendack. Summer 2013. AAA World: New Parks Bring Public Art to Atlantic City. July/August 2013. Public Art Review: Spring/Summer 2013. Philadelphia Style: Lines in the Sand. Marni Prichard Manko. Late Spring 2013. Visual Arts Journal: Open to the Public. Ken Switzer. Spring 2013. Dujour Magazine: All Eyes on Atlantic City. March 2013. New Observations: Transforming Atlantic City in a Five Year Public Art Campaign with Lance Fung. Layman Lee. February 2013. Bijutsu Techo: Artlantic Listing in Hot Topics. Manami Fujimori. January 2013. New Jersey Municipalities: Just Call Us Art-lantic City. John Palmieri & Liza Cartmell. January 2013. Travel&Leisure: Atlantic City: The World's (New) Favorite... Arts Destination? Marguerite A. Suozzi. November 20, 2012. Elle: Women in Art 2012. Linda Yablonsky. November 16, 2012. Time Out New York: Atlantic City visitors guide: Historic sites and new art. Lisa Ritche. December 2012. W Magazine: Artlantic Comes Ashore. Fan Zhong. November 14, 2012. DIGITAL MEDIA EL PAIS: Arte publico junto a las traganerras en Atlantic City. Mario Suarez. September 23, 2013. Artishock: Artlantic: Un programa de arte publico que reinventa Atlantic City. Maria G. Picatoste. Newsday: Mattituck installation artist thrives in bubble wife provides. Amy Onorato. August 27, 2013. Mutual Art: Art for the people - Public art around the world. Lori Zimmer. August 14, 2013. Art Nerd: Jed Morfit's Artlantic. Lori Zimmer. August 22, 2013 Art in America "Artlantic Lands in Atlantic City" by Leigh Anne Miller published August 2, 2013 Psychology Tomorrow Magazine: "Artlantic: Boardwalk Public Art Project Brings Attention to Art in Atlantic City" by Radka Salcmannova published August 2, 2011 The Dirt: "Atlantic City Re -imagines Itself, Again" by 1. Green on July 30, 2013 Cool Hunting: "ARTLANTIC: Atlantic City's Public Art Spaces" by David Graver published on July 29, 2013. Installation Magazine: On the Boardwalk. A. Moret. July 26, 2013 NFP: "Artlantic City?" published on July 26, 2013 Blouin Artinfo: VIDEO: "Artlantic," Atlantic City's Art Playground. Kristen Boatright. July 24, 2013 The Artsy Voyager: 10+ Artsy Things You Didn't Know You Could Do in Atlantic City. Jacquelin Carnegie. July 18, 2013. What's Up Miami: ARTLANTIC, Integrating Art into the Fabric of Atlantic City. Jesus Manuel Rojas Torres. June 26, 2013. Absolute Arts: ARTLANTIC Recognized as One of the Nation's Top 50 Public Art Projects by Americans for the Arts. June 25.2013. Art Nerd: Atlantic City Ain't Just for Gamblin'. Lori Zimmer. June 7, 2013. Inhabitat: ARTLANTIC Transforms Disused Atlantic City Lots Into Public Art and Green Space. Lori Zimmer. May 22, 2013. The Aesthete: Boardwalk Empire, Atlantic City bets on new art initiataive Artlantic. Lisa Selin Davis. May 15, 2013. Art Nerd: We love Jed. Lori Zimmer. May 13, 2013. Hvuerallergic: Atlantic City's Art Experiment. Mostafa Heddaya. May 8.2013. Artist Organized Art: ARTLANTIC 2013 Three New Commissioned Artists. Josh Selman. April 30. 2013. Absolute Arts: Art News. April 11, 2013. NJ.com: Atlantic City expands 'Artlantic' project with new arts park. Whitney Ullman. January 29, 2013. The Dodge Blog: The Creative Edge That Is NJ Arts. Ann Marie Miller. January 14, 2013. Edge on the Net: Atlantic City Strikes Gold! Ari Gold! IC Alvarez. December 17, 2012. Accessible Art NY: Artlantic. Nicole Berry. December 16, 2012. The Dirt: Atlantic City Gets "Artlantic". December 11, 2012. Hvnerallergic: A New Home for Art in Atlantic City. Jillian Steinhauer. December 11, 2012. USA Today: Atlantic City boardwalk back in business after Sandy. Chris Gray Faust. December 5, 2012. Blouin Artinfo: Miami's Art Gamble Has Paid Off — Can Atlantic City Follow Suit? Rachel Corbett. November 27, 2012. Passport Magazine: Getting Inspired by Post -Sandy Atlantic City. Joseph Pedro. November 20, 2012. Art Agenda: ARTLANTIC: wonder. November 15, 2012. Travelmole : Boardwalk Empire: Atlantic City's iconic walkway still standing but can tourism weather the storm? Gretchen Kelly. November 15, 2012. The Alternative Press: ARTLANTIC: Wonder Debuts in Atlantic City. Lou Perri. November 12, 2012. The Alternative Press: ARTLANTIC: Wonder Photo Essay. November 12, 2012. Newsworks: Vacant lot becomes a showcase for art in Atlantic City. Peter Crimmins. November 12, 2012. Smart Brief: Atlantic City looks to improve Boardwalk experience with public art. November 9, 2012. Design & Trend: Hurricane Sandy Spares Atlantic City Art Installations. Kristyan Morgan. November 08, 2012. PR Newswire: Good News From Atlantic City, NJ: New Public Art Project. `ARTLANTIC. Dedicated On The Famed (and Still Standing) AC Boardwalk. November 8, 2012. Artist Organized Art: Art Wins At ARTLANTIC: WONDER. Joshua Selman. November 5, 2012. Blouin Artinfo: Atlantic City Readies New Public Art Project. November 5, 2012. PR Newswire: Atlantic City Alliance, Casino Reinvestment Development Authority And Lance Fung Unveil 'ARTLANTIC' In Formerly Vacant Urban Areas. November 5.2012. Asbury Park Press: Empty Pinnacle lot in AC to host public art works. August 19, 2012. Light IQ: Lance Fung and Light. Natasha Rocca Devine. July 31, 2012 Artabase: Curator Lance Fung to transform Atlantic City into art parks. July 8. 2012. SVA Close UP: SVA Alumnus Lance Fung to Transform Atlantic City Into Art Parks. July S. 2012. Travel Daily News: Atlantic City Alliance announces Public Art Program to drive tourism. Vicky Karantzavelou. June 11, 2012. Blouin Art Info: Public Art Fit for a Boardwalk Emperor. June 8, 2012. PR Newswire: Atlantic City Alliance Announces Public Art Program To Drive Tourism. June 7, 2012. Artist Organized Art: Experimental Curator Lance Fung to Transform Atlantic City In A 5-Year Public Art Campaign. Joshua Selman. June 7. 2012. TELEVISION News 12 New Jersey: 'Artlantic Wonder' opens on vacant Atlantic City lot. July 25, 2013 CBS3 Philly: 'Artlantic' Transforms Vacant Lot In Atlantic City. Syma Chowdhry. May 6. 2013. NBC10 May 6. 2013. 6ABC May 6, 2013. NBC40: More art coming to Pacific Avenue in Atlantic City ARTLANTIC May 6. 2013 WHYY (PBS) Philadelphia. PA State of the Arts (Lifestyle): ARTLANTIC. Eric Schultz. 3:30 PM. April 28, 2013 6ABC Loves The Arts: ARTLANTIC. 7 am. 12 noon. 9 am. Eric Schultz. January 13, 2013.ss Access Live: The 'Artlantic' Project. December 24, 2012. State of the Arts: "Artlantic" in Atlantic City. 8 pm on NJTV and at 3:30 on WHYY. Eric Schultz. December 3. 2012. NJ Today "State of the Arts" segment at 6 pm. Eric Schultz. November 16, 2012. Pinky's Corner on NBC40. November 11, 2012. NBC10 in Philadelphia at 11 am. November 9. 2012. 6ABC in Philadelphia at 6 pm. November 9. 2012. NBC40: Presentation outlines plan for art in Atlantic City. Ryan Parmer. July 12, 2012. RADIO WOND in Atlantic City: "Pinky's Corner" live interview with Jed Morfit & Robert Lach, May 6, 2013 WHYY: radio interview. November 11. 2012. South Jersey Edition on WOND radio interview with Lance Fung. November 6, 2012. WEB VIDEOS Press of Atlantic City: Rope Art at Artlantic Project, AC. Ben Fogletto. May 6, 2013 Access AC Live: The 'Artlantic' Project. Whitney Ullman. December 24, 2012. Atlantic City Insiders: Lance Fung announces Artlantic Glorious. Lauren Kohout. December 12, 2012. Curator Lance Fung discusses the new Atlantic City public art installations. Michael Ein. Press of AC. November 7. 2012. Atlantic City Insider: Lance Fung Discusses New Art Installations In Atlantic City. August 24, 2012. LOCAL NEWSPAPER & DIGITAL MEDIA Press of Atlantic City: Lecture series brings focus on Atlantic City art. Martin DeAngelis. October 1, 2013 Atlantic City Weekly: Lance Fung to Speak at Stockton. Kaitlin Montague. Sep. 25, 2013 Press of Atlantic City: Atlantic City agencies fill art parks with music, exercise, more signs. Martin DeAngelis. July 28, 2013. Press of Atlantic City: Free music and events draw visitors to A.C.'s art parks. Vincent Jackson. July 7, 2013 Atlantic City Weekly: ARTLANTIC One of 50 Best Public Art Projects of Year. Ray Schweibert. July 3, 2013. Stockton Now: Stockton Educator Helps Shape the Face of AC. Maryjane Briant. Spring/Summer 2013 Atlantic City Weekly: Summer Guide 2013. June 12, 2013 Atlantic City Casinos Blog: Artlantic Park in Atlantic City Continues to Grow. Harriet Diamond. May 10, 2013. Atlantic City Casinos Blog: Installations by Conceptual Land Artist Peter Hutchinson and New Jersey Artists Robert Lach and Jedediah Morfit To Be Added to ARTLANTIC in 2013. Harriet Diamond. May 9. 2013. Press of Atlantic City: Transformation of Marina District walkway into illuminated trail planned for summer in Atlantic City. lennifer Bogdan. May 7, 2013. Courier Post: Beauty crops up in Atlantic City's vacant lots. William Sokolic. May 6. 2013. Press of Atlantic City: Rope Art At Artlantic. Ben Fogletto. May 6, 2013. Atlantic City Insiders: ARTLANTIC adds more wonder to its growing public art park. Lauren KohouL May 3, 2013. Press of Atlantic City: Atlantic City public art opens. Anjalee Khemlani. April 11, 2013. Press of Atlantic City: Art display along Atlantic City Boardwalk has a way of drawing you in. Martin DeAngelis. March 11, 2013. Ava's Allocations: Day 135. Ava Holly Lewis. February 14, 2013. Press of Atlantic City: Empty Atlantic City lot will be canvas for newest arts park. Donald Wittkowski. January 25, 2013 Atlantic City Weekly: Year in Review: 2012. December 20, 2012. Atlantic City Weekly: How Did AC DO?. Jeff Schwachter. December 20, 2012. Press of Atlantic City: Art -parks project drawing out Atlantic City students' talents. Caitlin Honan. December 19, 2012. Atlantic City Insiders: Details of next Artlantic art installation in Atlantic City revealed. Lauren Kohout. December 12, 2012. Atlantic City Casinos Blog: New Art Installations Bring Artlantic Wonder to Atlantic City. Harriet Diamond. November 12, 2012. Press of Atlantic City: Artlantic comes to Atlantic City I Edgy, risky, smart. November 11, 2012. Press of Atlantic City: Initial segment of five-year art project unveiled in Atlantic City. Emily Previti. November 10, 2012. Atlantic City Insiders: Atlantic City gets sneak peek of ARTLANTIC projects. Lauren Kohout. November 9. 2012. Atlantic City Weekly: ARTLANTIC Public Art Project Opens in Atlantic City. Craig Billow. November 9, 2012. Special Feature - Press of Atlantic City Supplement. November 9, 2012. Art installations part of strategy to boost image of Boardwalk. Emily Previti The arts are an important part of the community. Diane D'Amico Union workers pitch in to help create art parks. Donald Wittkowski Atlantic City sees promise in public art. Hoa Nguyen Liza Cartmell and John Palmieri / Public art can build new interest in Atlantic City. Lance M. Fungi Great art must go beyond galleries, into the heart Kiki Smith sees art as a way to build community. Michelle Brunetti Post Kabakovs capture spirit of resort in pirate ship. Vincent Jackson Robert Barry uses words as objects and inspiration. Lauren Kohout John Roloff s walkable mural is also a stage. Lauren Kohout Lance Fung sees art transforming places, people. Martin DeAngelis Jersey Family Fun: A Can Do Spirit Brings an Art Park Alive Today in Atlantic City. Jennifer Auer. November 9. 2012. Press of Atlantic City: Work begun on Atlantic City pirate ship, one of of three public art projects to be featured in Boardwalk lot. Hoa Nguyen. November 6. 2012. Press of Atlantic City: Arts can boost Atlantic City's image, experts tell Assembly= panel. Hoa Public art can build new interest. September 20, 2012. Press of Atlantic City: Beautification project begins at vacant Atlantic City Boardwalk lot. Emily Previti. September 20, 2012. Courier Post: Initiative promises creation of temporary art installations. William Sokolic. August 30, 2012. Press of Atlantic City: Art curator talks about city projects. David Simpson. August 24, 2012. Press of Atlantic City: First public art project for Atlantic City to Break Ground Next Week. David Simpson. August 24, 2012. Courier Post: Art to fill Atlantic City site intended for casino. August 20, 2012. Press of Atlantic City: Pinky's Corner - Meet curator Lance Fung. Pinky Kravitz. July 12, 2012. Atlantic City Weekly: The ACA. CRDA and Fung Collaboratives Team to Enhance Vacant Areas of A.C. Rebecca Mulberg. July 11, 2012. Shore News Today: Meeting to discuss public art program in A.C. July 10, 2012. Press of Atlantic City: Pinky's Corner - Public Art Display. Pinky Kravitz. June 20, 2012. Atlantic City Weekly: Marketing Atlantic City Through Interactive Art. Shane Vanegas. June 14, 2012. Press of Atlantic City: Pinky's Corner - Artistic Program Set. Pinky Kravitz. June 6. 2012. PRESS ON ROBERT BARRY HTTPS://WWW.NYTIMES.COM/2001/04/20/ARTS/ART-IN-REVIEW-ROBERT-BARRY-EARLY-WORKS- 1966-73.HTML Q7 he Nic Ut f ork e5T,ime0 I_1:7491010:0IATM ART IN REVIEW; Robert Barry - - 'Early Works i966-73' By Ken Johnson • April 20, 2001 See the article in its original context from April 20, 2001, Section E, Page 34Buy Reprints Gasser & Grunert 524 West 19th Street Chelsea Through May 19 This spare, beautifully installed exhibition presents classic works by a pioneer of 196o's Conceptualism. Robert Barry's early works are visually minimal -- a few words printed in a catalog or typed on a page with, in some cases, documentary photographs -- but mischievously paradoxical. One piece, penciled in fine block letters on the wall, reads, "All the things I know but of which I am not at the moment thinking --1:36 PM; June 15, 1969." Like a Zen koan, this might tease you into a heightened awareness of the mystery of consciousness. The show includes preconceptualist works like a small red square canvas placed in the exact center of an otherwise blank wall and a piece of nearly invisible monofilament stretched the length of the gallery. But such objects were too concrete for Mr. Barry; it was the mind he wanted to stretch. For one series, he released measured quantities of gases like helium and xenon into the atmosphere. Reading the texts documenting these actions, your mind leaps from the glass bottle to an idea of endless expansion. For another piece he typed over and over, "Something which is near in space and time, but not yet known to me." You could call this a kind of secular prayer. A slyly provocative humor runs throughout Mr. Barry's work. "Interview piece" consists of a short interview printed in a catalog for a 1969 exhibition (and displayed here in a vitrine). Asked if the piece in fact exists, he replies at the end: "It does exist if you have any ideas about it, and that part is yours. The rest you can only imagine." KEN JOHNSON A version of this article appears in print on April 20, 2001, Section E, Page 34 of the National edition with the headline: ART IN REVIEW; Robert Barry --'Early Works 1966-73'. Link: https://frieze.com/article/robert-barry?language=de & Frieze Advertisement Reviews / Robert Barry " 4 $ BY JOR G HEI SER 1 JAN 2004 Kunsthalle Nuremberg, Germany Four men in dark clothes stand in front of a white wall, posing with the cool detachment of the Velvet Underground. On the right is Lawrence Weiner, eyelids half-closed; in the middle, Joseph Link: https://www.art-agenda.com/features/234185/light-and-dark-the-projections-of-robert- barry-1967-2012 ART�AGENDA x "Light and Dark: The Projections of Robert Barry, 1967-2012 yy bv Marce loberman December 14, 2012—January 26Y 2013 Yvon Lambert, Paris January 14, 2013 f W u View of "Light and Dark —The Projections of Robert Barry 1967-2012," Yvon Lambert, Paris, 2012-2013. Left: Robert Barry, Belmont 1967, 1977. Slides. Right: Robert Barry, Art and War, 2007. Video, 13 minutes. All imaaes courtesv of Yvon Lambert. Paris. Photaraohs by Rebecca Link: https://brooklynrail.org/2015/03/artseen/robert-barry-all-the-things-i-know-1962-to-present AIN BROOKLYN RAIL $ MAR 2015 Issue ............................................................................................... Advertisement 41 Froncop Events o taroklyn Ven ues ;EFT ;949-Fell 7979 ArtSeen Robert Ba the things ... 1962 to present By Alexandra Nicolaides rry: M CE All I Know �.......... .......... *.........., J.......... L .......... L .......... An early explorer and originator of ON VIEW Hunter College, Link: https://www.latimes.com/entertainment/arts/la-et-cm-art-review-robert-barry-bethiehem-baptist- c h u rc h- 20151124-sto ry. h t m l Cos Angles gimes LOG IN O, TRIAL OFFER I Try for $1 a week ADVERTISEMENT ENTERTAINMENT & ARTS Critic's Choice-, Robert Barry has words with Rudolph Schindler Robert Barry, Bethlehem Baptist Church Installation, 2015 (Courtesy of the artist and Thomas Solomon Art Advisory; Copyright: Joshua White/JWPictures.com) EXAMPLES OF PREVIOUS WORK �� _- o� _..��_ �� ALMOST 31HWIINI BETWEEN ui m ¢ A CD� � m m Z z n O C7 m w j r Clafl�o0 O z POSSIBLE Al Gallery Representation: Yvon Lambert Gallery / librairie@yvon-lambert.com Mary Boone Gallery / info@maryboonegallery.com Galerie de Multiples / press@artspace.com LD_�WI�NGND EX: COVER COVER SHEET SHEET 1 ELEVATION S/F CHANNEL LETTERS SHEET 2 ELEVATION S/F CHANNEL LETTERS SHEET 3 SECTION (CHANNEL LETTERS ELECTRICAL LOAD- SEE ELEVATION ELECTRICAL REQUIREMENTS- SEE ELEVATION APPROXIMATE TOTAL WEIGHT OF SIGN- SEE ELEVATION NUMBER OF SIGNS REQUIRED- (22) REQUIRED GENERAL NOTES: 1. SIGN TO BE MANUFACTURED TO MEET ALL E.T.L. SPECIFICATIONS AND BEAR THE E.T.L. LABEL. E.T.L. ELECTRIC SIGN #3139763. S/F Illuminated Channel Letters colors 14'-3" weight:171 Ibs 4 amp @ 120 volt weight:126 Ibs 3 1/2 amp @ 120 volt 407-2gp yellow - new #: 1 H01 ANOTHER 613-0gp clue - new #: 1 Q'-7" weight:155 Ibs 3 112 amp @ 120 volt AT' N T I�� I weight:151 Ibs 4 amp @ 120 jolt 507-Ogp green - new #: 61122 606-0gp blue - new #: 5H31 11 '-7 '/2' PURP('s**.*- 406-igp yellow - new #: F-9" weight: 139 Ibs 3 1/2 amp 0 1 DESIRE weight:105 1 bs 3 amp @ 120 volt 14'-1 1/2" weight:169 Ibs TOGETHER4 amp @ 120 volt At mR7W�ir ,—wemmw ho wu rnaonr rv+ro uu revisions dc,. 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O erem�e,,nc.wa +rwo017 H.P.ss,eso wr ]le 9 jay ,.2T d colors 9-II m 9 Y, !� 1 �Wi,k"apbw9Hhtgak0�a10,7H1lDeCVaIr.O.M. —i c r e o t I v e „ — a— project:2' channel letters date 08/28/12 :,olzA/4"=i' -- drawing # 12 393 2-3 phone; 856-773-4135 tax: 856.773.4134 web: hellosc.corn this drow" may not be reproduced In whole of In part w1lhow the wm n pamn,sssan of Helms cream Ino. al I other vaaemMI(S a feglshrrea trdaemdrk5 are the property of their respema, owrwn. 0 2012 Halos crear,ye, Inc. al I Aghb mearvea 9255 commerce highway, Pennsauken, nj 08110 • phone: 856.773.41 35 . fax: 856.773.4134 • web: heliosc.com warm • • ":- I - .-J 3/16" thicl M 3/8" dia. str bolts (2) pa low Volta w/ anti sf 1/4" dia. at low e k 6061-T6 4"X6 rectangular capp( 1/4" dia. c each F positic 3/8" 6061- alum plate (1; 3/8" X 4" X 8" to 2- Ham..__.. _._.._...._ "tubular anchor" p/n L (2" pipe X 60" LG) gale stl. (2) req'd. �� ,` '► wr f1 11 it --- a Barbara Berk — Peninsula Art Museum — Hanging Sculpture